Filed under: Experimental | Tags: album, amable, avant-garde, beats, experimental, free, free beats, post-trip-hop, Psychedelic, sample based, Trip-Hop, visual
As promised, Amable‘s The Bundle was released today and it’s a neat collection of various experimental trip-hop tunes produced by the Florida-based beat-maker that have appeared all over the net these past few years.
A dynamic compilation of rarities, we’ll be catching up with Amable later in the week for a chat, so make sure you subscribe to the blog and check out the album, released by the quasi-avant-garde label Geweih Ritual Documents here:
http://geweihritual.bandcamp.com/album/the-bundle
You can also check out Amable‘s Spooky Bounce here.
And his soundcloud here.
Filed under: Concrete, Experimental | Tags: avant-garde, Concrete, contemporary, experimental, Found Sound, soundscape, visual
So the first thing I posted on this blog was Rachel’s with Wouldn’t Live Anywhere Else (read the post here) which is an abstract-sound scape-meets-experimental-chamber-music piece. Caribou has posted a more raw soundscape on Soundcloud, and I’m a real sucker for the genre so I thought I’d share it.
I understand a-lot of people can’t really get into the idea of ‘found sound’ pieces; in-fact awhile ago I quoted Edgar Varèse in saying “Music is organised sound”, and Village is a track that challenges this idea to it’s very core.
Simply put, Village is a recording of two or three men having a causal conversation about text messaging in what sounds like a restaurant- but I think there’s a somewhat romanticised idea behind recording and sharing the sounds of civilization. I think John Cage put it best when he was talking about his composition 4’33” (an infamous contemporary peice which consisted of nothing but 4’33” of silence, which I’ve linked here)
There’s no such thing as silence. What they thought was silence, because they didn’t know how to listen, was full of accidental sounds.
While Cage‘s 4’33” is very much about experiencing the present moment that the piece is being performed, Caribou‘s Village presents a twist to the idea, which gives you the opportunity to experience a different setting, on the other side of the planet. Upon each listen your imagination adds more and more to the piece, at first I was interested in the conversation that can be heard, then the surrounding environment- the cars, the clanging of cutlery, the subtle noises of distant chirping birds.
Village is a minute-long moment captured forever through sound, bottled up in an mp3 file and able to be revisited again and again.