fucktheradio


Leaks – I’m Glad You’re Still Here by Chris

Fuck the Radio Collective homeboy Leaks went quiet for a bit while travelling.

Good to have him back. This track gets my BRILLIANCE tag.



Dylan Hill – The Fall by Chris

Melbourne-based Dylan Hill shows a great deal of heart in his productions, with the same mellowing touch of say, Leaks or even Holy Other.

The Fall blends recorded guitar with some fluttery electronic instrumentation, some soft-to the touch percussive samples and delicate vocals- a style that’s rapidly developing it’s own little place in the greater scheme of electronic music through the likes of Oliver Tank, the aforementioned Leaks and many more.



Sub Dapper – Girls by Chris

Fuck the Radio Collective‘s Sub Dapper has an EP on the way. About a week ago he dropped this to tide us over while we wait.

Girls soothes on the surface, but intrigues with intricate glitching and constant progressive evolution. Not one part of this track is boring. It gets my BRILLIANT tag (the first track of the year to do so!)

For more brilliance, check out last year’s tape.

 



Spoonty – Feels by Chris
March 28, 2013, 6:04 PM
Filed under: Beats, Chilled, Electronica | Tags: , , , , , , ,

Eleven groovy beats by Sydney producer Spoonty have made their way onto bandcamp for a new release called Feels. Quite a well-polished production overall, this is no mere collection of rough ‘n raw beats with none of the tracks falling below three minutes; these are all fully fleshed out grooves to get down to.

Something about this album reminds me of the style of Bonobo, which can never be a bad thing. Heaps sings out with immaculate vocal chops while Forest makes use of a smoothly carved up flute. Quite frankly, the samples fit perfect like honey and lemon- while the beats are as smooth as Morgan Freeman’s voice after a nice honey and lemon tea. The whole thing is musically delicious experience.



Willow Beats – Alchemy preview by Chris

Fuck the Radio Collective artists Willow Beats have just dropped a preview video for their new single Alchemy to be released on the 11th of March.

If you live in Melbourne you can catch them live throughout March as they play through their Workers Club residency, with support from Allday and other FTR Collective artists ColourwavesAlta and Yosemite.

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Capeface by Chris

https://i0.wp.com/i1.sndcdn.com/avatars-000014893755-dvvbho-crop.jpg

Rapidly gaining a well-deserved following is UK-based Capeface, a name you may be familiar with if you checked out our FUCK THE RADIO: EXORCIST MIXTAPE. On-top of tagging this release BRILLIANT (oh shit yes) download it free here right now -> http://www.mediafire.com/?a1e22bbelyc70jo. I caught up with Capeface a little while back to ask a few quick questions- hit the soundcloud ‘play’ button below and read what he had to say while soaking up his lush sounds.

First up- where’d you start? How’d you get into music?

I had a really classical upbringing to music. I started learning to play the tuba as well as joining a choir at the age of 8, more out of curiosity than anything, and then over the years I developed a very theoretical understanding to music. I started writing music properly when I got to secondary school for my studies, and then it became a hobby. Ever since then I’ve gradually adapted my styles until I got to this stage now.

Where does the name ‘Capeface’ come from?

My mate and I had gone up to Sheffield for a rave. Quite a few drinks later, we ended up convincing the DJ’s we were professional MC’s, so they asked us to get up on the mic. When asked for our names, my mate already had his alias, and i was alias-less. At the time, i was wearing a cape fashioned out of a sleeping bag and had some LED glasses on, so under pressure just blurted out ‘Capeface’, and ever since then i just ran with it!

What was the first record/cd/single you bought with your own money for yourself?

I think the first CD I ever bought was actually ‘Air Guitar Anthems’. I used to listen to my parents rock vinyls, (the likes of Black, Sabbath, UFO, Motorhead etc.) when I was a kid. I was brought up on a diet of that and Queen! I was so sure I’d be a lead singer of a rock band …

What are you listening to at the moment?

I’m starting to delve deeper into the underground scene at the moment; I feel I’ve only just skimmed the surface. South London Ordnance, Paleman, Dusky, Blawan are just a few of the people that I’m particularly into right now. Audio Cultures label is pumping out some incredible tunes at the moment as well. Oh and Thology’s also got a new EP out called ‘Introspect’ that’s well worth a listen!

What will music sound like in 10 years?

I couldn’t possibly comment! Capeface has only been going for 9 months, before that I was writing electro house tunes. Judging by that, I’d probably say some Tuvan throat warbling?

What non-music release has the best music?

The stuff John Williams writes is just insanely good, ‘Star Wars’ has incredibly evocative as well as powerful music, so most of the films he writes scores for are just brilliant.

If you could collaborate with anybody living/dead, who would it be?

Probably Freddie Mercury, just an fantastic musician on so many levels, plus the music video would probably be jokes!

Lastly, what’s your alcoholic beverage of choice?

A good fine English Ale, one in particular called ‘Taking the Pith’, plenty of citrus-y undertones, I highly recommend it.



ECHO70 – Expanse by Chris
November 22, 2012, 1:55 PM
Filed under: Beats, Chilled, Chillwave, Electronica | Tags: , , , , , ,

The relatively new Fake Flamingo project is something that caught my eye recently-

Fake Flamingo Recordings was conceived in 2011 as a response to the current phenomena of selling an artist’s identity rather than their music.  A group of veteran label owners, artists, and writers created a framework for the project, culminating in a 2012 launch.  The goal is to release a digital single each week, created by an artist working under a pseudonym.  As an added bonus, when the bandcamp proceeds reach $1K, a limited edition 12″ vinyl record will be pressed and 100 people who actually paid for their downloads will receive the record for free.

The ability for an artist to create new sounds without having to reference their past work has proved to be quite freeing.  The music is the product, not the person.  We hope that you enjoy the art as much as we have enjoyed putting it together.

ECHO70‘s release boasts some chilled out synth-based beat work. If you like it, why not go put some dollars up towards that vinyl?



Fuck the Radio EXORCIST Mixtape by Chris

It’s about time we released another Fuck the Radio mixtape! Bee Ampersand spun this up on Halloween and it’s packed full of dank head-bobbing goodness from local/international artists mixed into a seamless flowing 30-minute set (with the tracks split up so you can enjoy them individually too!) ranging from trip-hop, dubstep and more.

DOWNLOAD:
http://www.mediafire.com/?hmtw6giptfop6nj

ALT LINK:

https://www.dropbox.com/s/a2xcbvopcqmh81l/FTR%20Exorcist%20Mixtape.zip

You can also check out more FTR mixtapes here.



The XX – Angels (Japanese Wallpaper remix) by Chris
October 17, 2012, 2:33 PM
Filed under: Electronica, Inca Roads, remix | Tags: , , , , , ,

I’m going to jump on posting Japanese Wallpaper so that I can brag about knowing him before he was big. At just 15 years of age, he’s pumping out some pretty simplistic, yet aurally pleasing stuff, and this remix of Angels is really something else. Cheers to you mate. This track is great.

You can catch Japanese Wallpaper at the upcoming INCA ROADS festival.



Skymning – Cemeteries (Totems Remix) by Chris
October 16, 2012, 11:57 AM
Filed under: Chilled, Chillwave, Electronica | Tags: , , , , ,

Skymning is the Swedish word for twilight, but not of the Stephanie Meyer vampire variety. One could listen to Skymning‘s 1993’s (released just two weeks ago at time of writing) and still feel it’s emotive hooks and melodies make for a better love story than Meyer’s trash.

The EP includes four original tracks, then four remixes of said tracks. Cemeteries as an original already stood out to me with it’s dank and mellow sound, but Totems has mixed it up into a lof-fi future-beat piece wildly different to the original- you could almost dace to it.



DEF LED – Moments by Chris
October 8, 2012, 9:00 AM
Filed under: Electronica | Tags: , ,

Spanish producer DEF LED dropped Moments for free download yesterday and it’s worth checking out. Its progression into a dance-y track makes it a real fun listen and something I look forward to playing out. I feel a sense of restrained enthusiasm through repetition, like it starts to get too exciting until glitching out at the four minute mark. Perhaps it could have gone for a minute or so shorter, but the cheeky fun of it all still makes for a regrettable finish and a reach towards the ‘replay’ button.



Aki Aki – Cockroach by Chris
October 3, 2012, 10:02 PM
Filed under: Beats, Chilled, Dance, Electronica | Tags: , , , , , ,

I think what makes the music on this blog so compelling are the different sounds. I know that sounds fucking stupid, of-course it’s a music blog and music is just decorating time with lots of organised sounds- but if I really listen, I mean, really take my time to let the music into my brain… I like the particular noises; each little bleep and bloop used in these tracks and where they are placed.

There’s nothing ubiquitous about the sounds used in twisted soul and and future beat- unlike say, dubstep’s modern screeches and squeals that are replicated by every producer in every new release. Experimentation with sound is one of the coolest and most appealing creative outlets I can think of- the same way if you put a kid in-front of a drum-kit they’ll have a ton of fun making a huge amount of noise… When that kid is grown up he’ll have his field recorder, tapping light-globes with scissors, reversing the sound and adding copious amounts of reverb to create something your ears have never had the pleasure of experiencing yet.

Anyway, I guess what I’m getting at here is that I love the sounds in Aki Aki‘s Cockroach. It’s about 3-months old now, there’s been plenty of time for it to become boring and plain. But instead we all go on, simply doing what we love- creating sounds.



Sorrow – 1988 by Chris
September 26, 2012, 2:15 PM
Filed under: Beats, BRILLIANT, Chilled, Dubstep, Electronica, Mellow | Tags: , , , , , , , , , ,

It’s happening, I’m giving Sorrow the BRILLIANT tag of BRILLIANCE here on Fuck the Radio for his exquisitely amazing 1988. The dark, melancholic sounds and smooth, flowing nature of the track come together to create an emotionally stimulating peice of electronic music. Everything hits the nail on the head perfectly here, from the percussive sounds to the ambient swirls of noise that drift on overhead. Not many tracks get tagged brilliant, but this one has thoroughly earned it.

Sorrow – 1988



Kawakami Kohei – Ghost Scale by Chris
September 18, 2012, 11:34 PM
Filed under: Acid, Electronica, Experimental | Tags: , , , , ,

Continuing on from my last post of glitchy electronic goodness, I’m going for something a tad more accessible, consider your training wheels if you are having trouble getting into the more experimental sides of IDM. Kawakami Kohei’s Ghost Scale is hands down fucking dope. Meticulous attention to detail, endless slicing, dicing and re-arranging create what is one of the most interesting listens I’ve posted in a-while. Check it:



Colossius – CAS L​.​A​. by Chris
September 14, 2012, 12:47 PM
Filed under: Acid, Electronica, Experimental | Tags: , , , , , ,

I know hectic glitchy experimental electronica might not be everybody’s jam, but I’m pretty pumped to have this new ltd. edition 7″ by Colossius zooming across the ocean towards my house.

Released as a celebration of independent label Fresh yO!‘s 2nd birthday; the digital download is pro bono and the vinyl is a measly 6 euros if you are interested- fans of Aphex Twin and Venetian Snares‘ wilder stuff will probably find the two tracks a-lot more accessible, and I’m sure Autechre fans will appreciate the wacked out hints of hip-hop in ISOL8.

CAS L.A. is a chaotic mash of electronic bleeps and bloops, it’s addictive and well-thought out. The surgically sliced up samples and bizarre synths come together in a syncopated rhythmic EXPERIENCE LIKE NO OTHER.

How’s that for a review? Pretty nifty eh? Just check it out; you either enjoy IDM or you don’t… kinda like licorice.




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