Matt Coops describes his music as a “gritty analog-y boom-bap revival of 90’s Hip-Hop”. With that flavour of rap instrumentals in mind, Matt Coops loops his samples and shifts the pitch of the heavy beats throughout loathing (a title referring to the mad flick ‘Fear and Loathing in Las Vegas’). The track holds a cool rawness to it that we sometimes miss out on in polished compositions.